Austria Composer Stamps: The Musician’s Fund Issue (1922)

Austria Composer Stamps: The Musician’s Fund Issue (1922)

This post features the Austria composer stamps of 1922. These are the first stamps to feature musicians and they turn one hundred years old in 2022. Since then, there have been countless stamps featuring composers, singers, and musicians of all types. However, it all began with this famous set of Austrian stamp. The Musicians’ Fund stamps feature seven famous composers who all have an association with Vienna.

Composers are rather common on postage stamps. I think that there are two reasons for that, one political and the second purely practical. First, a country is typically proud of a composer and celebrates their music as a national style. Second, portraits of individuals have always been used on stamps. Portraits of composers, like politicians, royals, scientists, athletes, and others, fit this pattern.

Of course, it makes great sense that Austria would celebrate its extraordinarily rich musical heritage. Vienna bears the nickname of the “City of Music.” Some of the greatest composers in all of western music made their home in Austria. One of the points to make, of course, is that some of these composers are actually claimed by multiple countries. Beethoven is featured in this series and also on stamps from Germany including the 1959 opening of the Beethovenhalle. Both countries would feature his image often on postage stamps. Also check out my thoughts about the 1940 series dedicated to American composers.

The Stamps

The Austrian 1922 stamp series features seven composers: Franz Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Anton Bruckner, Johann Strauss Jr., and Hugo Wolf. These seven composers represent classical music stretching from the mid-eighteenth century to the twentieth century (Wolf lived until 1903). The first four stamps feature images from historic portraits, the last three are reproductions of photographs. The series was designed by Rudolf Junk (1880-1943), and produced by the master engraver Ferdinand Schirnböck (1859-1930)

One last interesting fact about these stamps is that they were charity stamps. Only 500,000 sets were made (at a time when stamps were often made in the tens of millions). They were sold for ten times their postage value, with the profits being used to fund needy musicians. A very noble idea!

Joseph Haydn

Haydn stamp
Franz Joseph Haydn stamp,
Scott #B50

Franz Joseph Haydn (1732–1809) was born in Rohrau, Austria. He was one of the most important composers of the “classical” style of music. He is known for his contributions to the development of the symphony and the string quartet. The image on this stamp is from the Thomas Hardy portrait of the composer painted in 1792 and owned by the Royal College of Music.

Wolfgang Amadeus Mozart

Mozart stamp
Wolfgang Amadeus Mozart stamp,
Scott #B51

One of the most famous of all classical music composers is Wolfgang Amadeus Mozart (1756–1791). Born in Salzburg, he gained international fame as a child prodigy who played for many of the crowned heads of Europe. He wrote a prodigious amount of music in his short life including symphonies, chamber music, and operas. The image on the stamp is from a ca. 1777 portrait painted by the painter Johann Heinrich Wilhhelm Tischbein.

Ludwig van Beethoven stamp,
Scott #B52

Ludwig van Beethoven

The next composer in this series is Ludwig van Beethoven (1770–1827). Although he was born in Bonn, he spent nearly all of his adult life living in Vienna. He first gained notoriety as an outstanding pianist, including for his ability to improvise. In his twenties, he began to lost his hearing, but that didn’t not keep him from becoming one of the most transformational composers to ever live. The image on the stamp is based on the drawing by August Karl Friedrich von Klöber in 1818.

Franz Schubert stamp,
Scott #B53

Franz Schubert

Although he died young, Franz Schubert (1797–1828) wrote an enormous amount of music including more than six hundred songs, seven symphonies, and multiple pieces for piano solos and chamber ensembles. The young composer was a great admirer of Beethoven, and though they lived in the same city for most of their lives, there is little evidence that they actually met. The image of Schubert featured on the stamp was painted by Wilhelm August Rieder in 1825.

Anton Bruckner

Anton Bruckner stamp,
Scott #B54

Josef Anton Bruckner (1824–1896) was a well-known organist in addition to being one of the most famous Viennese composers of the late 19th century. Bruckner was known for his large scale symphonic and choral works, although he also wrote smaller pieces for chamber ensembles and solo instruments. He was famed for his organ improvisations, but strangely published few works for the instrument. The image used on the stamp is from a photograph taken around 1890 probably by the photographer Anton Huber.

Johann Strauss Jr. stamp,
Scott #B55

Johann Strauss Jr.

Known as “The Waltz King,” Johann Strauss Jr. (1825–1899) was the son of composer Johann Strauss Sr. The younger composer eventually gained much greater fame wrote hundreds of waltzes, polkas, and other short dance pieces. He also wrote a handful of operettas, most famously Die Fledermaus. He is best remembered for his “Blue Danube” waltz. His music remains popular and is performed annually in the Vienna New Year’s Day concert.

Hugo Wolf stamp, Scott #B56

Hugo Wolf

The least well-known of the composers in this series, Hugo Wolf (1860–1903), was also the only one to live into the twentieth century. Like Schubert, Wolf was famous for his lieder, of art songs. He wrote hundreds of such songs as well as three opera and choral works. He suffered from depression and wrote his music in short spurts. His last music was composed in 1898.

A Rare Cover

1922 Austrian Cover Musician Stamps

The musician stamps are not particularly rare, however they mostly exist as stamps. It was exciting to find a cover with four of the stamps, featuring Mozart, Beethoven, Schubert, and Bruckner. The cover bears the address of George Hill, from Philadelphia, PA, in “Amerika.” In addition, each of the four stamps is tied to the envelope with an illegible cancellation. Unfortunately, there is no indication of who sent this envelope.

4 Comments

  1. Yme Woensdregt

    Hello Jay

    I really appreciate your blog posts about music on stamps. I also collect classical music on stamps (primarily composers, opera, and Broadway musicals). I was prepared to accept your claim in this article that these stamps from Austria are the first stamps to show musicians. But I think I caught you out on a technicality. The very first stamp to show a composer was actually Paderewski on Poland Scott #134, issued June 15, 1919 — which makes it three full years before this wonderful set from Austria. The technicality is that he isn’t shown as a musician but as a member of the Polish Parliament. Be that as it may, it was fun to discover this technicality, which gave me the excuse of writing to you to express my appreciation. Keep up the good work!

    • Jay

      You are correct that Paderewski was on a 1919 stamp. I actually have that stamp in my post about Polish stamps honoring him as both a politician and musician. I hope you have read that piece https://themusicstamps.com/ignacy-paderewski-stamps/. I should have mentioned that information in this article (I did not think of it), so THANK YOU for mentioning it here for future readers. Also, thank you so much for all of your kind words about the blog. It means a lot.

  2. Yme Woensdregt

    Jay, yes I did read your piece on Paderewski, and it was also very good. The reason I found this was that I am preparing a one-page exhibit for ATA on “A Century of Musicians”, planning to use the Austria semi-postal set. In researching it, I found the Paderewski stamp from 1919, so I’ll have a bit of fun with it. Just fyi … I also have a sheet which is not postally valid prepared for POLPEX (Polonius Philatelic Society) in Chicago in March 1941 which includes this stamp slightly enlarged, with an illustration of Paderewski mentoring a child at the piano beneath it, and musical notation above with the first two bars of the Polish national anthem … quite a nice piece

    • Jay

      That is fantastic! I am glad you are doing an exhibit on the “century of musicians” idea. I think it is a good topic for the year. I do not think that the Paderewski stamp changes that as he is obviously a political figure. It is worth a footnote, but not much more. Good luck!

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